JOYCEAN PICS 2010
Dublin (Baile Atha Cliath) and Joyce
Contents of This Page


  [U 03.426] Bloomsday Display of Hodges Figgis
  [U 08] Grand Lodge of Ireland
  [U 08.1191-93] Front of National Museum, Kildare Street
  [U 09] National Library, Kildare Street
  [U 10.0491] Crampton Court
  [U] Oliver St. John Gogarty, Bar, Restaurant, and Accommodation
  [U 10.0830-35; 17.2048-49] Bedford Row
  [U 08] Davy Byrne's "Moral Pub"
CONTENTS 2010
   1  Prague IJJF Symposium 2010@Charles University Prague (Univerzita Karlova v Praze)
   2  Prague (Praha) and Joyce
   3  Prague (Praha): miscellanea
   4  Konopiste Chateau (Zamek Konopiste/Schloss Konopischt)
   5  Pivovar Velke Popovice (Kozel Brewery)
   6  Terezin (Theresienstadt): "ARBEIT MACHT FREI"
   7  Ceske Budejovice (Bohmisch Budweis) (Post-Conference Tour)
   8  Hluboka Chateau (Zamek Hluboka/Schloss Frauenberg) (Post-Conference Tour)
   9  Cesky Krumlov (Krumau an der Moldau) (Post-Conference Tour)
  10  Trebon (Wittingau) (Post-Conference Tour)
  11  Cervena Lhota Chateau (Zamek Cervena Lhota) (Post-Conference Tour)
  12  Dublin (Baile Atha Cliath) and Joyce
  13  Dublin (Baile Atha Cliath): miscellanea
  14  The Hill of Tara (Temair na Ri), County Meath
  15  Trim Castle (Caislean Bhaile Atha Troim), County Meath
  16  Newgrange (Si an Bhru), County Meath
  17  County Wicklow (Contae Chill Mhantain)
  18  Amsterdam (I amsterdam)
  19  Marken, Waterland, Noord-Holland
  20  Boat Trip from Marken to Volendam
  21  Volendam, Edam-Volendam, Noord-Holland
  22  Zaanse Schans, Zaandam, Noord-Holland
  23  Seoul JJSK Conference 2010
  24  Seoul: miscellanea 2010

Dublin (Baile Atha Cliath) and Joyce



Monday 21 - Thursday 24 June 2010


  Dublin is the capital city of Ireland where James Joyce was born and grew up; he lived there from 1882 to 1904.  The Irish dubh linn means "black pool" (which reminds you of "Guinness beer").  The Gaelic name of the city is Baile Atha Cliata, which literally means "Town of the Ford of Hurdles."  The early history is mainly legendary.  It is recorded that the inhabitants of Leinster were defeated by the people of Dublin.  Christianity was introduced by St. Patrick about 450.  Dublin was re-established as a trading post by Viking invaders in 841.  The Scandinavian element in Dublin's history provided Joyce with material he used in Finnegans Wake, a work whose title itself resonates with Nordic overtones.
  The city of Dublin plays a prominent role in the writings of Joyce and provides the setting and central geographical motif for most of his work.  In a letter to his London publisher, Grant Richards, dated 15 October 1905, Joyce explained the significance Dublin had for him and its importance in his stories: "I do not think that any writer has yet presented Dublin to the world.  It has been a capital of Europe for thousands of years, it is supposed to be the second city of the British Empire and it is nearly three times as big as Venice.* Moreover,... the expression 'Dubliner' seems to me to have some meaning and I doubt whether the same can be said for such words as 'Londoner' and 'Parisian' both of which have been used by writers as titles" (Letters, II, 122).
  Joyce, who wrote most vividly of Dublin after he had left it, used virtually all of it in his work.  His depiction of Dublin's citizens, street, neighborhoods, shops, public houses, churches, parks, culture, politics and history is unsurpassed in Irish literature.  Throughout his life, Joyce's affection for Dublin never dwindled, and he often fondly referred to it as "dear dirty Dublin."
  *According to the census in Britannica 11th ed.(1911), the population of Dublin was 290,638 (1901), Venice was 169, 563 (1881).   Dublin was not the second city of the British Empire in Joyce's time: the population of Greater London was 6,581,402 (1901), Liverpool 684,958 (1901) [753,203 (1908 estimated) ], Manchester 606,824 (1901), Birmingham 522,204 (1901) and Edinburgh 316,479 (1901).  So I presume that Dublin was actually the sixth city of the Empire.
  Cf. also James Joyce A to Z.


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Bloomsday Display of Hodges Figgis
     Bloomsday Display of Hodges Figgis, 56-58 Dawson Street, Dublin 2
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(Monday 21 June) Bloomsday Display of Hodges Figgis [mentioned at U 03.426], 56-58 Dawson Street, Dublin 2
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(Monday 21 June) Bloomsday Display of Hodges Figgis [mentioned at U 03.426], 56-58 Dawson Street, Dublin 2
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(Monday 21 June) Bloomsday Display of Hodges Figgis [mentioned at U 03.426], 56-58 Dawson Street, Dublin 2
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(Monday 21 June) Bloomsday Display of Hodges Figgis [mentioned at U 03.426], 56-58 Dawson Street, Dublin 2
  
  
  
Grand Lodge of Ireland
  
   [U 08] Grand Lodge of Ireland, Molesworth Street
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(Monday 21 June) [U 08] Grand Lodge of Ireland, Molesworth Street
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(Monday 21 June) [U 08] Grand Lodge of Ireland, Molesworth Street
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(Monday 21 June) [U 08] Grand Lodge of Ireland, Molesworth Street
  
  
  
National Museum
  
  [U 08.1191-93] Front of National Museum, Kildare Street
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(Monday 21 June) [U 08.1191-93] Front of National Museum, Kildare Street.  The script of the fourteenth [last] plaque is extracted from the text: "His hand looking for the where did I put found in his hip pocket soap lotion have to call tepid paper stuck.  Ah soap there I yes.  Gate.  Safe!"
  There are 14 plaques embedded on the road surface to indicate Leopold Bloom's route in the eighth episode "Lestrygonians" of Ulysses from The Freeman's Journal/The Evening Telegraph office at 4-8 Prince's Street to the National Museum in Kildare Street.
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(Monday 21 June) [U 08.1191-93] Front of National Museum, Kildare Street
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(Monday 21 June) [U 08.1191-93] Front of National Museum, Kildare Street
  
  
  
National Library
  
  [U 09] National Library, Kildare Street
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(Monday 21 June) [U 09] National Library, Kildare Street
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(Monday 21 June) [U 09] National Library, Kildare Street
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(Monday 21 June) [U 09] National Library, Kildare Street
  
  
  
Crampton Court
  
  [U 10.0491] Crampton Court, Dublin 2: The entrance from Essex Street East, Temple Bar to Olympia Theatre, 72 Dame Street:

10.0488.    Nosey Flynn stooped towards the lever, snuffling at it.
10.0489.  --But how does it work here, Tommy? he asked.
10.0490.  --Tooraloo, Lenehan said.  See you later.
10.0491.    He followed M'Coy out across the tiny square of Crampton court.
10.0492.  --He's a hero, he said simply.
10.0493.  --I know, M'Coy said.  The drain, you mean.
10.0494.  --Drain? Lenehan said.  It was down a manhole.
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(Wednesday 23 June) [U 10.0491] Crampton Court: Guided by Paul "L. B." O'Hanrahan
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(Wednesday 23 June) [U 10.0491] Crampton Court
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(Wednesday 23 June) [U 10.0491] Crampton Court
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(Wednesday 23 June) [U 10.0491] Crampton Court
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(Wednesday 23 June) [U 10.0491] Crampton Court
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(Wednesday 23 June) [U 10.0491] Crampton Court: Olympia Theatre, 72 Dame Street
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(Wednesday 23 June) [U 10.0491] Crampton Court: Olympia Theatre, 72 Dame Street
  
  
  
Oliver St. John Gogarty
  
  [U] Oliver St. John Gogarty, Bar, Restaurant, and Accommodation, 58/59 Fleet Street, Temple Bar, Dublin 2 (est. 1835 by Philip Lawlor as a hotel here).  The Gogarty pub was established around 1930 when Gogarty was busily engaged in affairs of state as a senator in Seanad Eireann.  So this pub is not directly connected to the works of James Joyce.
  Oliver Joseph St John Gogarty (August 17, 1878 - September 22, 1957) was an Irish poet, author, otolaryngologist, athlete, politician, and well-known conversationalist, who served as the inspiration for Buck Mulligan in Ulysses.  Like Joyce he was educated at Clongowes Wood College for a time (1896-1898), and in 1898 he switched to the medical school at Trinity College.
  A highly-visible and distinctive Dublin character during his lifetime, Gogarty appears in a number of memoirs penned by his contemporaries, notably George Moore's Hail and Farewell, where he goes both by his own name and by the pseudonym "Conan."  His most famous literary incarnation, however, is as Buck Mulligan, the irrepressible roommate of Stephen Dedalus in James Joyce's Ulysses.  Mulligan quotes a number of songs and poems known to have been written by Gogarty, the most famous of which, "The Song of the Cheerful (But Slightly Sarcastic) Jesus," was originally sent to Joyce as a belated Christmas peace offering after their quarrels of 1904.  Other details, such as Mulligan's Hellenism, his status as a medical student, his history of saving men from drowning, his friendship with George Moore, and the metrical arrangement of his full name (Malachi Roland St. John Mulligan) parallel Gogarty's biography.  The living arrangements of Mulligan and Stephen, however, differ sharply from those of Joyce and Gogarty; in Ulysses, Stephen Dedalus is the rentpayer and breadwinner of the Martello Tower off whom Mulligan carelessly sponges, an almost complete reversal of Joyce and Gogarty's actual positions during the summer of 1904.  Due to his influence on Joyce (he is also sometimes cited as an inspiration for Dubliners character Ignatius Gallagher and Exiles antagonist Robert Hand), Gogarty's name often comes up in Joyce scholarship, though Gogarty's own editors and biographers complain that these references are frequently inaccurate, owing to Gogarty-related errata in Richard Ellmann's biography James Joyce (1959/1982) and a tendency to conflate the real-life Gogarty with the fictional character of Buck Mulligan.  (Cited from the site of "Wikipedia")
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(Wednesday 23 June) [U] Oliver St. John Gogarty, Bar, Restaurant, and Accommodation, 58/59 Fleet Street, Temple Bar, Dublin 2
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(Wednesday 23 June) [U] Oliver St. John Gogarty, Bar, Restaurant, and Accommodation, 58/59 Fleet Street, Temple Bar, Dublin 2
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(Wednesday 23 June) [U] Statues of Oliver St. John Gogarty and James Joyce, 58/59 Fleet Street, Temple Bar, Dublin 2
  
  
  
Bedford Row
  
  [U 10.0830-35; 17.2048-49]

10.0830.  Stephen went down Bedford row, the handle of the ash clacking
10.0831.  against his shoulderblade.  In Clohissey's window a faded 186O print of
10.0832.  Heenan boxing Sayers held his eye.  Staring backers with square hats stood
10.0833.  round the roped prizering.  The heavyweights in tight loincloths proposed
10.0834.  gently each to other his bulbous fists.  And they are throbbing: heroes'
10.0835.  hearts.


17.2042.  What past consecutive causes, before rising preapprehended, of
17.2043.  accumulated fatigue did Bloom, before rising, silently recapitulate?

17.2044.  The preparation of breakfast (burnt offering): intestinal congestion and
17.2045.  premeditative defecation (holy of holies): the bath (rite of John): the
17.2046.  funeral (rite of Samuel): the advertisement of Alexander Keyes (Urim and
17.2047.  Thummim): the unsubstantial lunch (rite of Melchisedek): the visit to
17.2048.  museum and national library (holy place): the bookhunt along Bedford
17.2049.  row, Merchants' Arch, Wellington Quay (Simchath Torah): the music in
17.2050.  the Ormond Hotel (Shira Shirim): the altercation with a truculent
17.2051.  troglodyte in Bernard Kiernan's premises (holocaust): a blank period of
17.2052.  time including a cardrive, a visit to a house of mourning, a leavetaking
17.2053.  (wilderness): the eroticism produced by feminine exhibitionism (rite of
17.2054.  Onan): the prolonged delivery of Mrs Mina Purefoy (heave offering): the
17.2055.  visit to the disorderly house of Mrs Bella Cohen, 82 Tyrone street, lower
17.2056.  and subsequent brawl and chance medley in Beaver street (Armageddon)-
17.2057.  nocturnal perambulation to and from the cabman's shelter, Butt Bridge
17.2058.  (atonement).
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(Wednesday 23 June) [U 10.0830-35; 17.2048-49] Bedford Row
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(Wednesday 23 June) [U 10.0830-35; 17.2048-49] Paul O'Hanrahan in Bedford Row
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(Wednesday 23 June) [U 10.0830-35; 17.2048-49] Me in Bedford Row.  Photo by Paul O'Hanrahan.
  
  
  
Davy Byrnes
  
  [U 08] Davy Byrne's "Moral Pub," 21 Duke Street, Dublin 2
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(Wednesday 23 June) [U 08] Davy Byrne's "Moral Pub," 21 Duke Street, Dublin 2
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(Wednesday 23 June) [U 08] Davy Byrne's "Moral Pub," 21 Duke Street, Dublin 2
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(Wednesday 23 June) [U 08] Paul O'Hanrahan and Mary Cloake at Davy Byrne's "Moral Pub," 21 Duke Street, Dublin 2
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(Wednesday 23 June) [U 08] Me and Paul O'Hanrahan at Davy Byrne's "Moral Pub," 21 Duke Street, Dublin 2.  Photo by Mary Cloake.




        


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